1. |
BY THREE METHODS Side A
14:12
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I sincerely want to thank everyone that has taken the time to allow my music to be a part of their lives. it's a unique music and you are all unique individuals. ive never done liner notes thank you's before, but i want to now, so here are six years worth:
to start, i want to thank my wife for everything she does and puts up with from me and my music. any musician should be so lucky.
next, my friend tim costigan for pushing me to develop my concept for noise music. johnnee reyna for getting me out of the basement and into performing rock shows. mark harris for always listening and requesting new music and basically being my biggest most consistent fan over the last decade, well before mobdividual was a thing.
international and national musical cohorts whom i have never properly met but still manage to offer encouragement... thomas debauw, fydhws, vru patel, oleksiy sakevych, and the rest of those early last.fm folks that dug the jams and encouraged me to keep going like vladimir (Airless) mitreski and alison jenner
locally... josh kennard, animus invidious, dear rabbit (rence), brad flora, michael thigpen, the future fossil foundation art group (john fowler, kendle moon, josh williams, korri oxford and danny phelan), jessie rozell chris davis and noelle holister (of drug flowers and BAES), the autumn creatures crew (alex, jessie, will, christian and i'll include josh so i can thank him too) the zodiac bar/venue and their staff the first venue that took me seriously (dean, andrea, gentle and particularly dave baumgartner), bryan and sean ostrow and the fine folks at the flux capacitor (nick, thanks!), chris bullock (for coining 'solo doom' and being the first person to hire me specifically for volume at an art show), caitlin goebel, marceline clanton (and null religion records) alex koshak (and kitty for the awesome show posters!), iggy igloo, ryan clark, the localfm/redheaded zombie gang (cj hacket and glen murrell) the classical (brit and juliet), jay baker, jonathan rose (like a motherfucker, for helping to fuel the fire) brian eastin, pete sisson, curtis boucher, tom skora, neil fenton, cymon padilla, stan hennigh jense jorgenson, kevin handlon and kelley shilling (of dreadnought), kevin carrol, jason miller (and gretsch haha), james d. cowley, gabe from the future, derek ornelas (especially for the branding and painted amplifiers) shane cahn, reggie thompson, eric radke, noah jurkiewicz, willow and adam, ben pratt, roma ransom (gordon and grace), vince giracello, brian & amy muise, conor bourgal, josh aldrich, michael teich, gregory friesen, adam, tony and andy (the four track fuckers), tommy pesavento and his parents jenny and tom, adrian zamora, chris grate, dan snapp, austin morrow, hans miller, bruce moore, richard snapp, louis jarasviroj, chris padilla, the manitou art center/venue 515, modbo gallery, AHA gallery, kreuser gallery, cottonwood art studios, QRD & silber records, thesirensound
and of course my homeboy craig bunten. this is for you g.
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2. |
BY THREE METHODS Side B
13:42
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I sincerely want to thank everyone that has taken the time to allow my music to be a part of their lives. it's a unique music and you are all unique individuals. ive never done liner notes thank you's before, but i want to now, so here are six years worth:
to start, i want to thank my wife for everything she does and puts up with from me and my music. any musician should be so lucky.
next, my friend tim costigan for pushing me to develop my concept for noise music. johnnee reyna for getting me out of the basement and into performing rock shows. mark harris for always listening and requesting new music and basically being my biggest most consistent fan over the last decade, well before mobdividual was a thing.
international and national musical cohorts whom i have never properly met but still manage to offer encouragement... thomas debauw, fydhws, vru patel, oleksiy sakevych, and the rest of those early last.fm folks that dug the jams and encouraged me to keep going like vladimir (Airless) mitreski and alison jenner
locally... josh kennard, animus invidious, dear rabbit (rence), brad flora, michael thigpen, the future fossil foundation art group (john fowler, kendle moon, josh williams, korri oxford and danny phelan), jessie rozell chris davis and noelle holister (of drug flowers and BAES), the autumn creatures crew (alex, jessie, will, christian and i'll include josh so i can thank him too) the zodiac bar/venue and their staff the first venue that took me seriously (dean, andrea, gentle and particularly dave baumgartner), bryan and sean ostrow and the fine folks at the flux capacitor (nick, thanks!), chris bullock (for coining 'solo doom' and being the first person to hire me specifically for volume at an art show), caitlin goebel, marceline clanton (and null religion records) alex koshak (and kitty for the awesome show posters!), iggy igloo, ryan clark, the localfm/redheaded zombie gang (cj hacket and glen murrell) the classical (brit and juliet), jay baker, jonathan rose (like a motherfucker, for helping to fuel the fire) brian eastin, pete sisson, curtis boucher, tom skora, neil fenton, cymon padilla, stan hennigh jense jorgenson, kevin handlon and kelley shilling (of dreadnought), kevin carrol, jason miller (and gretsch haha), james d. cowley, gabe from the future, derek ornelas (especially for the branding and painted amplifiers) shane cahn, reggie thompson, eric radke, noah jurkiewicz, willow and adam, ben pratt, roma ransom (gordon and grace), vince giracello, brian & amy muise, conor bourgal, josh aldrich, michael teich, gregory friesen, adam, tony and andy (the four track fuckers), tommy pesavento and his parents jenny and tom, adrian zamora, chris grate, dan snapp, austin morrow, hans miller, bruce moore, richard snapp, louis jarasviroj, chris padilla, the manitou art center/venue 515, modbo gallery, AHA gallery, kreuser gallery, cottonwood art studios, QRD & silber records, thesirensound
and of course my homeboy craig bunten. this is for you g.
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mobdividual Hull, Massachusetts
i have performed, recorded, created and affected all of these sounds in my basement.
occasionally i rearrange the pieces for performance (preferably as loud as possible) in a live venue for people or art
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